European Children's
Film Association
Association Européenne du Cinéma
pour l'Enfance et la Jeunesse
The Kristiansand Int’l Children’s Film Festival for the first time will have its Industry Programme, the largest ever presented at the festival, taking place entirely online. Sign up here and do it fast… the accreditation deadline is 21 April! Free of charge for ECFA members!
Continue reading “ECFA members extra welcome at KICFF 2021 Online Industry”
Cinekid Directors LAB is a vital new coaching programme for directors with a dynamic children’s film project in advanced development.
With 14 films, Il Nuovo Fantarca (Bari, Italy) shined a spotlight on various environmental issues, mirroring the Sustainable Development Goals set for 2030.
Continue reading “Nuovo Fantarca focuses on environmental issues”
Kids Kino Industry, international co-production forum and networking event, is now looking for new diverse, forward-thinking film and series ideas for today’s generation of viewers to be presented in front of Decision Makers and Investors.
Continue reading “Kids Kino Industry opens call for submissions”
Short films are the true expertise of the Ciné-Jeune de l’Aisne festival. No less than seven short film competitions were presented in the festival’s spring event. Later this year an autumn edition will be celebrated, but the ECFA Award winner has already been decided.
Continue reading “ECFA Short Award for THE DEPARTURE at Ciné-Jeune de l’Aisne”
The Children’s & Youth Cinema at the 67th Int’l Short Film Festival Oberhausen goes online again. Crowded screenings, the opportunity for kids to watch shorts from across the globe together and talk to filmmakers are essential to the festival. The second online edition confronts the festival not only with limitations, but also with opportunities.
Continue reading “Short Film Festival Oberhausen: Chances & Barriers”
Dimitra Kouzi, Greek ambassador for “all things documentary” decided to re-edit her film GOOD MORNING MR FOTIS. The new version, PASSAGE TO EUROPE, comes with new perspectives on a burning topic.
Continue reading “PASSAGE TO EUROPE, new version, new perspectives”
The Schlingel team is optimistic about organising the festival’s 2021 edition (9–16 October). “I don’t think things can get worse than it was in 2020, and still we reached out to 13,000 viewers. Since we managed to do it once, we can do it again,” says festival director Michael Harbauer.
Continue reading “Schlingel makes you look forward optimistically”