A Zlin Film Festival Interview Clip
This interview with Radivoje Andric & Klara Hrvanovic, director and main actress of HOW I LEARNED TO FLY, was recorded during the Zlin Film Festival in June 2022.
Interviews
Interview Clip: MY ROBOT BROTHER
A Zlin Film Festival Interview Clip
This interview with Frederik Nørgaard & Jasmine Hermann Naghizadeh, director and producer of MY ROBOT BROTHER, was recorded during the Zlin Film Festival in June 2022.
Interview Clip: MAUR Film Production
A Zlin Film Festival Interview Clip
This interview with Martin Vandas & Jaroslav Fišer, producer and DoP at MAUR Film Production, was recorded during the Zlin Film Festival in June 2022.
Interview Clip: TALES OF FRANZ
A Zlin Film Festival Interview Clip
This interview with Johannes Schmid & Katharina Posch, director and producer of TALES OF FRANZ, was recorded during the Zlin Film Festival in June 2022.
Interview Clip: GAJA’S WORLD – THIS IS MY PLANET!
A Zlin Film Festival Interview Clip
This interview with Peter Bratuša, Špela Levičnik Oblak & Uma Štader, director, script author / co-producer and main actress of GAJA’S WORLD – THIS IS MY PLANET!, was recorded during the Zlin Film Festival in June 2022.
Engeli Broberg & Gabi about GABI, BETWEEN AGES 8 AND 13
“She took a sip from her coco and started talking…”
Gabi is only 8 years old and wrestles with society’s stereotypes about boys and girls. When her family moves from Stockholm to a rural town, and as puberty kicks in, Gabi must decide whether she wants to fit in with the crowd or chart her own path. Director Engeli Bromberg follows this remarkable personality over the course of five years, creating a moving portrait of a child, averse to gender norms, who’s seeking her place in the world.
Simon Lereng Wilmont about A HOUSE MADE OF SPLINTERS
“They turned their anger and aggression against themselves”
In his documentary feature A HOUSE MADE OF SPLINTERS, Danish director Simon Lereng Wilmont leads us into everyday life in a Ukrainian children’s home in the city of Lysychansk, about 15 kilometres from the front line, into the separatist regions. Here, a small group of strong-willed social workers work tirelessly in a special orphanage, to create an almost magical safe space for kids to live.
Alexis Morante about OLIVER’S WORLD
“Difficult with adults but easy with children”
It’s hard to say what is the biggest barrier in Oliver’s life, his overvivid imagination or his good-for-nothing father. How will the boy escape the curse that seems to hang over all the men in his family, turning them into spineless beings? Will the solution be in kissing the sweet gypsy girl Irene, or will it be in Haley’s comet that is approaching? In OLIVER’S WORLD, we embark on a journey that starts in Andalucia but ends somewhere among the stars.