European Children's
Film Association
Association Européenne du Cinéma
pour l'Enfance et la Jeunesse
“I couldn’t trust my own mouth”Eleven-year-old Mona and the rest of her Kurdish family have fled Syria and ended up in Berlin. Mona is sent to a notorious primary school, a place of chaos and tension. Teachers are having a nervous breakdown and frustration among students is increasing by the day. Mona doesn’t speak a word of German, but luckily she can speak football. So did Soleen Yusef – talking about her film is like talking about her life.
“All the research I did on guns and hitmen”Victoria is the new stepmother of Hedvig and Henrik, a pair of posh kids, who can barely get their father’s attention anymore, all the while succumbing to the new rules of the annoying Victoria. And therefore… VICTORIA MUST GO! They come up with a brilliant plan: they will hire a hitman! Even more striking than the absurd story, which constantly balances on the edge of what is morally acceptable, is the art design of this Norwegian film.
“An Irish person will never get a cup of tea”If you’re hoping for the Dallas Cowboys, rather expect the Galway Gallopers, a cohort of young cheerleaders training to take on the world – and make sure they look good doing it. Tanya Doyle followed them for five years and made EAT / SLEEP / CHEER / REPEAT an uplifting and deeply honest coming-of-age documentary about belonging, self-acceptance and having fun.
“Baby rhinos love to take a nap”How much would you like to have a chat with a baby rhino? Very much, especially after having seen THABO AND THE RHINO CASE, in which you meet the animal in all its droll charm. Yet I’d rather talk to director Mara Eibl-Eibesfeldt, who comes with stories about filming in Africa, about poachers and snakes, and… about filming a baby rhino!
“A sentence that seemed to come out of nowhere”Just as Lisa-Marie Dickreiter & Winfried Oelsner had published the third volume of their children’s book series MAX AND THE SENIOR SQUAD in 2016, film producer Martin Richter got in touch. He saw the potential for a family film that could connect generations. His son’s enthusiasm had drawn him towards the adventures of Max and his gang of senior citizens, who live in a retirement home. Ever since the film was successfully released in 2020, it has been screened constantly on German television.
“I heard a boy whispering: Kubko is coming”Slovak director Marta Prokopová does everything she can to keep the memory of her beloved dog Kubko tangible. She made a film about it, an affectionate story about a hard-working woman who barely has time for her dog. Until an unexpected catastrophe leaves them reliant on each other. The warm feelings for her now-deceased friend are palpable in everything Marta says and does.
“One day you’ll be living here”The future is full of possibilities, but the more his father presents them to him, the more the young boy feels constrained and suffocated. With simple lines in black and white, Polish director Marcin Podolec shows how a warm bond between father and son risks being suppressed by sky-high expectations.
“Cinema has the potential to improve children’s well-being”There are few projects that reflect the core of ECFA’s ambitions as well as the FILM IN HOSPITAL project: an international collaboration between several ECFA members to promote film education and audience engagement among a specific target group. It involves six international organisations jointly running an online platform aimed at children in hospitals and revalidation centres or recovering in their home environment. Recently, two new partners joined the project, the publication of a ‘toolbox’ could attract even more interested parties, and a participant satisfaction survey was conducted.