Neven Hitrec about THE DIARY OF PAULINA P

“We created drama with nothing but good people”

Paulina’s start in the third grade comes with new obstacles: a fight with her best friend, a haunted house around the corner, and a new classmate trying to steal her friend. Even the choice between two admirers is more complicated than expected. At home things aren’t going too well either, now that mum and dad always seem to be arguing. Despite all these difficulties Paulina keeps on spreading energy and love towards the people around her.

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Mette Korsgaard about BRAVEHEARTS

“Filming in a place where you never know what will happen”

Luna (13), Aziz (16) Kayla and Laura (both 17) are courageous teenagers who found their way to Joanna House, Denmark’s only crisis centre for people under 18. Mette Korsgaard interviewed them about their childhood and life stories. They, who suffered mental illness, drug abuse or brutal violence from their parents, are the real BRAVEHEARTS.

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Jenifer Malmqvist about DAUGHTERS

“Kids’ grief is like a zebra’s stripes: on and off”

Sofia, Hedvig and Maja are sisters with a common sorrow: their mother Carolina took her own life in 2010. Each of them is dealing with the pain on her own… until Swedish director Jenifer Malqvist pointed her camera at them. Suddenly the girls talk about things that seemed long forgotten, like fragments from another life. The camera captures them during different phases in their life, and always stays with the girls – this is not their mother’s story, it’s theirs. 

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About A SUMMER IN BOUJAD

“A dirty T-shirt but a clean moustache”

Years after the death of his mother, 13 year old Karim has left Paris for Morocco with his father, who has remarried. Karim joins the newly blended family for a summer in Boujad. Muddled by the anxieties of adolescence, the “little Frenchman” struggles to adjust to his new surroundings until he meets the mysterious outsider Mehdi. Meanwhile, his father is finding it difficult to adjust and even more challenging to relate to a boy beginning to show signs of rebellion.

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Zara Dwinger about KIDDO

“They never arrive and they never stay long”

How cool can a youth film look? KIDDO explores the boundaries of the genre in a story about a mother and daughter on an adventurous road trip towards Poland, in a blue Chevrolet with a broken CD player that constantly plays the same song. Along the way, they stop at roadside restaurants and motels. Lu, growing up in a foster home, barely knows her mother Karina, and her loyalty is profoundly tested. But to make their dream come true, she is willing to do a lot.

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Sophie Farkas Bolla about ADVENTURES IN THE LAND OF ASHA

“The story might be completed, but not the mystery”

A children’s film from Quebec is currently on a successful European festival tour. The adventure of two children from different origins who find each other in a joint quest proves to be universally recognisable. Director Sophie Farkas Bolla tells her story in a park in Chemnitz, where autumn leaves spin in the wind. From there it is a short step to wintery Canada.

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Raymond Grimbergen about LIONESS

“You chase her into a tree and throw stones at her”

In Suriname, Rosi can be found every day on the football pitch with her friends, standing out in the game. But all that suddenly changes when her family moves to the Netherlands. Luckily she makes friends with Jitte and enrols in a local Dutch team. Talented as she is, Rosi quickly plays her way to the top of the team, which easily evokes envy in her teammates…

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Sepideh Farsi about THE SIREN

“This film took us longer than the first Gulf War”

Sepideh Farsi’s first animated film, in which 15 year old Omid rescues a group of Iranian civilians from the Iraqi attacks on the Abadan oil metropolis in 1980 during the 1st Gulf War, opened this year’s Panorama Section at the Berlinale and has been collecting awards and nominations ever since. The director, born in Tehran in 1965, left the country for Paris in 1984

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