Priya Ramasubban about CHUSKIT

“We are what forms the fabric of society”

Chuskit has a very simple dream – going to school. That dream is cut short when she is rendered a paraplegic after an accident. She’s confined to life indoors in the company of her strict grandfather, who tries to make her understand that school can’t handle her needs. As life at home gets harder, she starts rebelling against the traditions of her family members and other elders in her remote Himalayan village. 

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Ted Kjellsson about ALONE IN SPACE

“Gimme two kids, an alien and a spaceship and I’ll make a great movie”

A giant spacecraft traveling with only two passengers on board: 12-year-old Gladys and her little brother Keaton, lingering around all day, heading towards a planet that never seems to come in sight. Until an unknown object crashes into the ship… Suddenly they are not alone in space anymore.

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Markus Dietrich about INVISIBLE SUE

“I’m good in superhero trivia”

INVISIBLE SUE tells a hectic story about an unlikely superhero and her odd friends. The pace is rapid, the storyline complex, there’s flickering lights and sinister locations. The film by German director Markus Dietrich premiered at the Cinekid festival in Amsterdam.

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Nils Hedinger about his short film KUAP

Tadpoles do not develop simultaneously – and neither do humans

In our world things often reach a point where all you want to do is turn your head and look away. But, fortunately, plenty of short films for children actually do deal with those issues. The current trend is: take a closer look where it hurts, and where the protagonists never give up. One example is Nils Hedinger’s KUAP, about a tadpole who somehow misses out on becoming a frog and is left behind.

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Madara Dislere about PARADISE ‘89

“With a drop of nostalgia – like summer when it’s almost over”

Summer, 1989. Sunlight softly falls in delicate rays over the village where city girls Paula and Laura come to spend their summer holidays. Four girls in flowery skirts, unattended, playfully imitating the life of adults, while in the background the signs of a national uproar against the Russian occupier can no longer be denied. At the Filem’on festival in Brussels, director Madara Dislere can’t emphasise enough how deeply the film is based on her own childhood experiences. “It’s about a young girl’s farewell to the life she had so far, and the start of a new era.”

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André Hörmann about the animated documentary OBON

All hell was breaking loose over the city.”

Fire everywhere, burning bodies and an insufferable heat – all hell was breaking loose over the city.” In OBON, the nuclear attack on Hiroshima is remembered by one of its last survivors. We spoke with German filmmaker André Hörmann at the doxs! festival.

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Dorte Bengtson about VITELLO

“Maybe it’s a Viking thing”


In many ways, Vitello’s life is totally fine. He gets plenty of spaghetti with butter, he lives in a nice neighbourhood surrounded by many friends, he has a fast lawn mower and a slingshot… What more can you wish for? A dad perhaps? Since mum refuses to tell him who or where his father is, Vitello sets off on a quest in search of a dad of his own.

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Winner of the ECFA Award 2018: UP IN THE SKY

Petter Lennstrand: “Puppets in itself are dead material”

This year’s ECFA Award winner addresses the very youngest audience with a feature in which live actors and puppets playing alongside each other. In this wonderfully absurd adventure everything is possible, thanks to a brave girl with a boundless imagination. Director Petter Lennstrand came toBerlin to collect his prize: “I’m really happy about this award. In Sweden the expectations for UP IN THE SKY were limited, but the film will still be around for a while in the festivals.”

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