ECFA proudly welcomes BIKY

The Busan Int’l Kids FF was launched in 2005 with the aim of educating children to recognise the true value of film, and to communicate with the world through cinema. It is all about the voice of youth! As Asia’s biggest, and Korea’s longest-running, young audience festival, BIKY screens over 170 films and welcomes approximately 600 guests. Continue reading “ECFA proudly welcomes BIKY” →

Riga IFF goes XR

Extended reality is a fascinating and rapidly growing audio-visual set of mediums that expands the possibilities and boundaries of cinematic language. Content is indeed king and it is no less than a film festival’s mission to foster and advance new approaches towards XR storytelling. Continue reading “Riga IFF goes XR” →

Anu Aun about PHANTOM OWL FOREST

“An outrageous but not so comfortable dress code”

Since Eia’s parents have little time for her, the 10 year old girl is forced to spend the Christmas holiday with her grandfather on a remote farm, in the middle of the snow covered Estonian forest. There she discovers the beauty of nature and wildlife, threatened by a businessman who has a plan to destroy the primeval forest, inhabited by mysterious owls. While fighting for the protection of Phantom Owl Forest, Eia unwraps a well-kept family secret.

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Producer Milena Klemke about TOO FAR AWAY

“Boys in general love to be on the pitch”

Two kids arrive at the same time in a new school, Ben whose family had to move after their house was sold to a mining company, and Syrian refugee Tariq. They meet not only in class, but also on the football pitch, both aspiring to the same position as the goal scoring striker. We met Milena Klemke, producer of TOO FAR AWAY at the Filem’on festival in Brussels.

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Festival Interview: Claire Shaw about 30 years of Cinemagic

“A flagship arts event in the city of Belfast”

Several festivals that are nowadays among the leading events in the European children’s film circuit were founded 30 years ago. Cinemagic is one of them. There must have been something in the wind back then, as most of these festivals have since developed in a similar way: ever-growing, with a more professional profile and extra attention for the industry.

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Richard Heap about THE RUNAWAYS

Turning donkeys into prima donna’s

Angie and her younger siblings live in a cabin by the sea. Their father hardly makes a living vending donkey-rides at the beach. For this family there is nothing like an evening of dark ale and folk singing in the pub to forget about life’s hardships. But that night Uncle Blythe returns from prison, harbouring a grudge over a long-standing family debt. Not much later the kids find themselves riding two donkeys over the moors under the drizzling rain, trying to escape from Blythe. At the Filem’on Festival we asked director Richard Heap about the exact locations of the film.

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