Subsequent to this year’s traditional festival edition (scheduled from 6-12th November), the Czech Juniorfest will launch the Juniorfest Online pilot project, in cooperation with the Dafilm platform.
Author: Gert Hermans
Cineteca di Bologna launches virtual Cineclub
In the city of Bologna, children’s cinema is always on the programme, year round. Every weekend the Cineteca di Bologna’s educational department Schermi e Lavagne is dedicating a special programme to the young audience in the Cinema Lumière. But now that cinemas have been closed since March, new opportunities had to be created.
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Information Celebration February 2020
Films for Kids in South East Europe: The State of Play
Based on the impression that the production of children’s films in South Eastern European countries is extremely low and that movies from Northern European countries do not circulate in the region, the Thessaloniki Film Festival, supported by the Greek Film Centre, launched a research initiative. They identified the need to have reliable data as a basis for reflection and, where appropriate, for proposals to encourage children’s film in Southern Europe.
ECFA Journal 2/2020
Here’s your anchor in tumultuous times. ECFA Journal gives the floor to filmmakers and festival people with the latest on children & youth film.
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Tomas Polensky about THE PACK
What goes on in the locker room, stays in the locker room
If there ever was a film that needed to have its moment de gloire in the Zlin Film Festival, it is definitely THE PACK. The story is set in Zlin and even the very first image of the opening scene looks very “Zlin-ish”. Coming from a country with a particular children’s film tradition, making a film for a young teenage audience was an achievement in itself for debuting Czech director Tomas Polensky.
Ga-eun Yoon about THE HOUSE OF US
“My gift to all girls taking charge of their own lives”
Like her heart-melting feature debut THE WORLD OF US, Ga-eun Yoon’s second film THE HOUSE OF US once again stands very close to her own reality. Again the universe she created is delicate, tender and restrained. In Ga-eun’s films, it seems like the world is turning slower, the sky colours softer, and the most crucial words are spoken in a whispering tone.
John Sheedy about H IS FOR HAPPINESS
“Oh she is annoying!”
H IS FOR HAPPINESS, a feel good film for all ages, tells the story of two young outsiders… and a miniature horse. The film watches the world through the eyes of a quirky girl, in a joyous celebration of all things slightly odd. After the international premiere at the Berlinale 2020, the Kplus children’s jury (who gave the film a Special Mention) described H IS FOR HAPPINESS as “a motivating film from start to finish… humorous and at the same time profound.”
Martina Sakova about SUMMER REBELS
“A big head on a big screen”
The poster of SUMMER REBELS shows young Jonas biting a watermelon. A perfect illustration for a film that is like a watermelon in itself, summery, sweet and in bright colours, but with a few feisty pits to crack. This German-Slovak co-production, directed by Martina Sakova, had its European festival premiere in the Zlin Film Festival.